Ana Teresa Fernandez | Pressing Matters
June 28 - July 28, 2007
Reception: Saturday, June 30, 2007, 3:00 - 5:00 PM
Artist Biography

Growing up in Mexico, Ana Teresa Fernandez learned at an early age about the double standards imposed on women and their sexuality.  Through performance-based paintings, Fernandez explores the territories that encompass these different boundaries and stereotypes: physical, emotional, and psychological. 

Fernandez subverts the typical folkloric representations of Mexican women by changing the protagonist's uniform to the quintessential little black dress, a symbol of American prosperity and femininity and of the Mexican tradition of wearing black for a year after a death.  Her paintings portray actual performances where Fernandez takes on the Sisyphean task of cleaning the environment - sweeping sand on a beach, vacuuming a dirt road - to accentuate the idea of disposable labor resources.

Ana Teresa Fernandez received her Masters of Fine Art from the San Francisco Art Institute.

Please click on an image for a larger version


Press 1
Press 2
thumb
Press 1 (Performance Documentation)2006
Oil on Canvas
48 x 72"
Press 2 (Performance Documentation), 2006
Oil on Canvas
48 x 72", sold
Teresa en Èxtasis (Performance Documentation), 2005, Oil on canvas;
36 x 42"

Untitled performance documentation
Untitled performance piece
Untitled performance piece
To Press 1 (Performance Documentation), 2007
Oil on canvas
6 x 8 x 1 1/2"
To Press 2 (Performance Documentation), 2007
Oil on canvas
6 x 8 x 1 1/5", sold
To Press 3 (Performance Documentation), 2007
Oil on canvas
6 x 8 x 1 1/2"

puedo
untitled 1
 
No Puedo Pasar (Performance Documentation), 2005, Oil on canvas
60 x 72"
Untitled 1 (Performance Documentation), 2007, Oil on canvas; 64 x 72"
 

menage
untitled 2
untitled 3

Ménage à Trois (Performance Documentation)
2005
Oil on canvas
24 x 36", sold

Untitled 2 (Performance Documentation), 2006, Oil on canvas; 36 x 62"
Untitled 3 (Performance Documentation), 2006, Oil on canvas; 30 x 40"

photo credits: Chad Arnholt

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